BIMI ESSAY FILM FESTIVAL

Together they question the assumption that humans are the only audience of cinema. The quaint perception of Ireland and the Americanisation of the native culture are contrasted with interviews from sectarian prisoners and footage of political marches. In partnership with Dharamshala International Film Festival diff. The inexplicable disappearance sparks an obsession in the search for the missing among all involved. However, a growing movement of young intellectuals and artists, increasingly influenced by Western avant-garde movements, began experimenting with film, challenging the boundaries of cinema, and presenting their own bold responses to the concept of the avant-garde. A classic masterpiece, beautifully restored in 2K.

Tue 4 Jun, 7pm: A celebration of the carnivalesque, through dance, performance and the spoken word. Death often comes unexpectedly — what happens the day before is usually quite ordinary. Banned during the Kuomintang regime for its homosexual undercurrents and for its political overtones, The End of the Track is a landmark in Taiwanese cinema. She now lives in Galway, Ireland, where she teaches and continues to make films. Set in , the film captures a certain moment in Philippine history, while drawing connections to today — the complexity of the family unit and migration, an obsession with consumer electronics, and the power of nature to remind us of what really matters.

What ensues is a noir-esque road trip, as the two of them run into trouble and desperately seek to find a way out.

Aperture: Asia & Pacific Film Festival

The inexplicable disappearance sparks an obsession in the search for the missing among all involved. May Adadol Ingawanij Shorts Curator: Chrome Firefox Safari Internet Explorer.

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bimi essay film festival

This second workshop will address issues around present day artistic approaches to history, and in particular finding radical approaches to presenting history through curatorial practice.

Jihyun has an interview in Seoul before taking a train home, sitting next to a middle-aged couple. A sssay drama offering a perspective on the reality of escape from Tibet, with a glimpse into a less familiar story of migration and the refugee experience. The Irreducible Difference of the Other, Vivienne Dick, Ireland,Digibeta tape, 26 minutes This work questions what it means to be human in a world orientated towards war, terror, and consumption.

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Banned during the Kuomintang regime for its homosexual undercurrents and festivap its political overtones, The End of the Track is a landmark in Taiwanese cinema. The film reaches towards a renewal of our embodiment with the Earth as a response to a belief in invincibility, fklm the desire of Man to dominate the planets.

bimi essay film festival

The middle-aged couple also head to the temple, opening up to each other as they recall memories of their first loves. Unknown to them, a warrior and her mother have taken refuge there following the assassination of their loyal minister father by the wicked Wei. Festivxl Joshi Festival Producer: Comprising six segments, this heavy theme is tackled with wit and a delicate touch by Thamrongrattanarit.

The s marked a period in Taiwanese film history, which for the most part was dominated by mainstream popular Taiwanese language films and strong censorship, amid a repressive political climate. An omnibus of four short films inspired by the Dogme95 movement, this film marked an important transition in Indonesian filmmaking and its aesthetics by providing an avenue to imagine filmmaking as a personal creative venture, and a departure from filmmaking as part of a socio-political disposition that was controlled by the dictatorial state.

Together they question the assumption that humans are the only audience of cinema.

Destival 12 Jun, 6. These works see the beyond human as also entities that embody history, speculate futures, and tell their own stories. The quaint perception of Ireland and the Americanisation of the native culture are contrasted with interviews from sectarian prisoners and footage of political marches.

Essay Film Festival Vivienne Dick Q&A by BIMI | Free Listening on SoundCloud

Combining martial arts, ghost story and Buddhist mythology, this classic wuxia film paved the way for the likes of Crouching Tiger, Hidden Dragon and House of Flying Daggers. Julian Ross Asia Through the Aperture team: Mud, Drones And Spirits Who is your primary audience? Her loyal yet penniless friend and admirer, Kuandyk, follows her to make sure she is safe.

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A Trip Through the Taiwanese Avant-garde of the s The s marked a period in Taiwanese film history, which for the most part was dominated by mainstream popular Taiwanese language films and strong censorship, amid a repressive political climate. However, a growing movement of young intellectuals and artists, increasingly influenced by Western avant-garde movements, began experimenting with film, challenging the boundaries of cinema, and presenting their own bold responses to the concept of the avant-garde.

Wed 5 Jun, 8.

Essay Film Festival

A story of struggle and survival in the face of extreme hardship and exploitation as an illegal migrant worker. I’m looking for product Any Current Forthcoming Uncategorized. She now lives in Galway, Ireland, where she teaches and continues to make films.

A hybrid of fiction and documentary, this intriguing debut blurs the distinctions between memory, fact and fiction in a quiet contemplation on life and death.

Set inthe film captures a certain moment in Philippine history, while drawing connections to today — the complexity of the family unit and migration, an obsession with consumer electronics, and the power of nature to remind us of what really matters.

As memories are reawakened, she embarks on a quest for the truth, culminating in a final confrontation. A celebration of the carnivalesque, through dance, performance and the spoken word.